My Rating: 4 / 5 stars
Verdict: Buy Borrow Bypass
Synopsis (from Goodreads):
After the death of her beloved grandmother, a Cuban-American woman travels to Havana, where she discovers the roots of her identity–and unearths a family secret hidden since the revolution…
Havana, 1958. The daughter of a sugar baron, nineteen-year-old Elisa Perez is part of Cuba’s high society, where she is largely sheltered from the country’s growing political unrest–until she embarks on a clandestine affair with a passionate revolutionary…
Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa’s last wish was for Marisol to scatter her ashes in the country of her birth.
Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba’s tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she’ll need the lessons of her grandmother’s past to help her understand the true meaning of courage.
I really enjoyed the dual storylines of 1950s Elisa and present day Marisol. The shifting perspectives and eras kept the story moving forward and each storyline lent the other needed context. Each storyline also introduced the reader to a vastly different Cuba. While Elisa’s Cuba reeked of opulence despite the world crumbling down around her, Marisol’s Cuba showed the results of their crumbled world. I especially loved the paralleled romances between Marisol/Luis and Marisol/Pablo. Reading along as each couple fell in love was absolutely beautiful and I found myself cheering for them every step of the way.
I appreciate that although Cleeton wrote strong women into this story, they were by no means perfect. Both Elisa and Marisol took tremendous risks to protect their families and the men they love, but neither leapt at the chance to be involved with politics. These are women who did what they had to do to survive. I have tremendous respect and love for Elisa and Marisol, and it’s abundantly clear that Cleeton feels the same. This book is full of strong well-written women and it was a joy to read about them.
I loved reading the interactions between the characters in this story. They were very realistic and lent an air of truth to everything that occurred. Elisa and her sisters felt especially true to me, and I’m excited to learn more about Elisa’s sister, Beatriz, in next year’s sequel. I’d be curious to know if any of these characters are based on real-life people from Cleeton’s life, as they all were engaging, well-written, and familiar.
I hope many people read this book. It’s important talk about the realities of Cuban life and its shifting political climate. Cleeton wrote a beautiful story about one family, and I hope that many more Cuban family stories are shared through books. Cleeton also does a great job of criticizing the rampant tourist fever, along with the disconnect between tourist Havana and citizen Havana.
Overall, I really enjoyed this book. While I initially thought the story moved a bit slowly, the pacing really improved once the plot picked up. This story serves as a great introduction to the complicated Cuban political climate and the mindsets of those who stayed and those who left. I would definitely recommend this book, especially for fans of Beatriz Williams.
This book is…
a page turner
Publisher: Berkley Books
Page Count: 356
Available here from IndieBound.
Have you read Next Year in Havana? What fiction set in another country would you recommend?